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How has being a writer changed your life?
Now
that I’ve given up teaching, it is having much more of an
influence on my life. I can now visit schools and talk about my
books and science. The feedback I get will, I’m sure, help my
writing to get better. It’s a much different job to teaching.
Each presentation I do is to a new group, and mostly I find that
their minds are more open than the students that I used to teach
day after day after day…
Any
tips on how others can become writers?
Write, write,
write! That’s what I did. I wrote a book that was 250,000 words,
covering all sorts of things to do with science. While it was
totally unpublishable, it started the development of the skills
I use today.
I have trouble letting others see my work before
I have it published; that is a fault. I think if I could
overcome that, and let others have some input, I’d end up with
better stories.
What are some of the pitfalls you have experienced as a writer?
Thinking I had it all worked
out after having had one book published. I learnt the hard way
– my next two books were rejected.
What is the best thing that has
happened in your writing career?
Having
a supportive team at Harper Collins. While my first book wasn’t
published until 2002, they had seen some of my earlier efforts
going back to 1993. They were always encouraging and helped by
suggesting ways in which my writing could improve; and they
continue to do so.
Can you give an example from one of your books of how you found
your characters?
Mandy in ‘The Moa Cave’ was based on a
girl that I taught. She could be infuriatingly abrasive, and yet
beneath the exterior was a very sensitive girl. She developed
into a lovely adult. I wanted to show my readers that the
outward behaviour of a person, especially one that we don’t know
well, should not always be taken as a definitive guide to the
personality.
Did you base any of your books on a real life experience?
Yes. There is no
one thing that I can single out, but many of the scenes are
familiar to me, as either an observer or personal involvement.
Do you start
your stories with the aim of making a social statement or do the
stories grow on their own as you write them?
The plot is mostly fixed before I start, certainly the climax is. The way
the characters develop can never be anticipated, and neither can
the values that you portray through the characters. I certainly
don’t want heavy social statements, but I do want to provide a
window into other people’s lives, and the values that they hold.
What was the last book you read?
‘Predicament’ by Ronald Hugh
Morrieson. I’m currently catching up on New Zealand authors that
I should have read in the past.
Do you have children (since you write children's stories)?
Yes, a daughter and a son, both in
their late 30s. However, reading to them when they were young
has, of course, influenced my writing.
What books have you written for
children?
A Friend in Paradise
The Moa Cave
Frog Whistle Mine
Where Cuckoos Call
Shadows in the Ice |